Illustration Outlined Cartoon

Illustration: Outlined cartoon

A cheerful character illustration: one big-headed person in a lively pose, acting on one large hero prop, every shape flat-filled and ringed with hand-inked near-black line. It suits friendly product moments (success, onboarding, empty states) where a face and a gesture carry the message. Use illustration-bold-pop instead for a dense, saturated object cluster with navy extrusions and hatching; illustration-flat when you want no outlines at all; illustration-line-interior for thin single-weight line, mostly white fills and realistic slim people in a wide room.

Extracted from a set of 42 original design-and-coding cards in 14 styles; the three cards in examples/ are this style's shipped cards.

The look in one sentence

Every flat-filled shape sits inside a warm near-black ink line that varies by role (2.5 px silhouettes, 2 px parts, 1.5 px details), and every interior mark (folds, brows, finger and hair splits, white highlights) is a tapered sliver that swells in the middle and ends in two points, so the drawing reads as inked by hand, never as a uniform marker line.

Palette

Measured from the three examples. Flat fills only.

The pencil wood #f3d9a8 in Designer is the one deliberate off-palette tint; lint --palette warns on it.

• No background: the card is transparent and the page supplies white. No gradients, patterns, filters, opacity tricks or textures (the one exception is the 0.22 glass tint).
• Shade colours appear only as fold slivers or one small shadow band, never as big flat shadow shapes.
• One saturated colour per garment; give the hero prop a colour the clothes don't already use heavily (yellow trophy against a blue hoodie, green button against a red tee).

Line and fill

All widths are final card px at 480 wide.

• Outlines are strokes on the filled shape, stroke="#1e1b1b", stroke-linejoin="round" stroke-linecap="round".
  • 2.5 px (WO): head, hair, torso, sleeves, trousers, shoes, the hero prop's silhouette.
  • 2.0 px (W): hands, cuffs, collars, necks, ears, small prop parts.
  • 1.5 px (WI): eye whites, screen insets, small inner panels. Fingers and thumbs 1.7–1.8.
  • Decor is unscaled: big "+" 2.0, small "+" 1.7 and 1.6, rings and squares 1.7, check badge 1.9, emphasis ticks 1.8.
• Union outlines: shapes of one colour that join (torso + both sleeves, pelvis + front leg, palm + forearm) share ONE outline: ink copies stroked at 2× the width underneath, then the fills on top (union() in the kit). Separate outlines at a join read as a seam.
• Folds are filled slivers, not strokes: fold(points, w) swells to w and tapers to 0.35 px at both ends.
  • Clothing folds 1.3–1.9 px in ink or the garment's shade colour; brows 4.0 / 3.6; upper eyelid 2.0; nose hook 1.8; hair splits 1.4–1.5; finger splits 1.15; white highlight dashes 1.8–2.4.
  • Rib bands (hems, cuffs): vertical shade-colour slivers every 8 units, 1.3 px.
• Rods, cords and wires: an ink stroke 2×outline wider underneath, the colour stroke on top (tubeStroke).
• The scene is drawn in local units and scaled by 0.84 (compose()), so a stroke written as 2.5 appears in the file as 2.98. Never scale a group without dividing its stroke widths, or the weights drift.

Characters

• Proportions: head with hair is about 37 % of standing height (code-review figure: hair top to sole 227 px, hair top to chin 85 px). Face 45 × 52 px. Short torso, short legs, round soft limbs.
• Head: a soft rounded box (head() in the kit), 3/4 turned toward the action, ears as 5 × 7.2 ellipses with an inner fold, a neck that narrows into the collar.
• Eyes: big white ellipses (near 6.2 × 7.4, far 5.4 × 7.0 local units), ink pupil r 3.7 / 3.4 with a white highlight r 1.25 up-right, a heavy upper-lid sliver 2.0. Glasses, when worn, are ink rings r 10 at 2 px.
• Brows: thick, tapered, 4.0 and 3.6 px. Thin brows were a judge note on the first card.
• Mouth: open, dark red fill with a tongue, outlined 1.9; a grin adds a white top-teeth band. Pink blush ellipses (4.8 × 2.8) under each eye, no outline.
• Hair: a scalloped blob (arcs between points, hair()), 2.5 outline, 2–3 white highlight dashes plus one white dot, and 3–5 split slivers in ink or the hair's shade. Buns and pencils behind the ear are hair accessories.
• Hands (follow references/craft.md for handedness, then check here):
  • Built cuff → tapered forearm (12 → 10 local units) → palm unioned into the forearm (no wrist seam) → a finger band → a thumb.
  • Fingers are one band with scalloped knuckle bumps; separations are short ink slivers (1.15 px) running in from the knuckle edge, 2.5–2.8 units long. Never separate sausage fingers, never stripes.
  • The thumb's root has no outline across it: only its two sides and tip are inked, so it grows out of the palm.
  • Hand length about 0.6 × face width. fist() in the kit draws both grip views and returns which hand it is.
  • Holding a flat object (laptop, tray): palm up under the base, finger band along the underside, thumb hooked over the front lip. A laptop balanced on fingertips was the first card's main fault.
  • Two hands on one handle: the near shoulder is the back one, so the NEAR hand takes the grip nearer the body and the FAR hand the grip further along. Keep fist centres at least 40 local units apart (a fist is about 28 wide plus its thumb) so a stretch of handle shows between them.
  • Reach: two 36-unit bones reach 72 local units. Place each wrist first, within reach of its shoulder, then get the grip centre with gripFromWrist(). Pick elbow()'s side so the elbow bends down and outward (below the shoulder-to-wrist line for a low grip); an elbow bending upward reads as a broken arm.
• Feet: chunky sneakers about 40 local units long (shoe()): white sole 2.5, coloured upper 2.5, white toe cap, two white lace ticks, optional white ankle eyelet, one shade sliver at the heel; ankle socks (white or light pink) and rolled hems (23 units wide with one shade sliver).
• Clothing: hoodie (kangaroo pocket, white strings, hood band), sweater with rib hem and crew neck over collar points, tee, dungarees with bib, straps and yellow buttons. Folds at elbows, knees, crotch and the shaded side.
• Poses that worked: a leap with one fist raised (Awards), a lunge leaning 14° into a magnifier with both hands on the handle (Code Review), a braced push leaning back 5° on a long pole (Designer). Rotate the upper body as a group about the hip to lean; bend the knees; never stand bolt upright.

Decor and props

• One hero prop, big: 35–50 % of the group's width (PR card 145 × 200 px, button pill 197 × 54 px, trophy 50 × 90 px). It carries the subject. Small UI inside it is abstract: rounded ink or colour bars (5.6 px ink lines, 4.4 px colour bars with a 1.15 outline), gutter dashes in #b9b4c4, check badges, avatar dots.
• Decor set per card (7–9 marks): one sparkle cluster (big "+" 17 px across at 2.0, small ones at (+16, −13) and (+15, +14) sized 6.8 and 5.6), 2–3 outline rings r 4.4–4.6, three filled dots (yellow r 3.6, blue r 3.4, red r 5.2–5.4), one outline square 10 × 10 rx 1.5 rotated 18°, optional green check badge r 7.6, optional three emphasis ticks at the action point.
• Put the sparkle cluster in the top corner opposite the heaviest mass; scatter the rest in the empty corners, 15–40 px clear of any contour.
• Never: ground lines, cast shadows, clouds, plants, background panels, speech text longer than two words.

Composition

• Transparent 480 × 360 card. Whole group (figure, prop, decor) inside x 70–430, y 40–310: margins 40–48 px top, 50–58 px bottom, at least 50 px each side.
• Figure height 230–260 px standing (65–72 % of the card), about 200 px in a deep crouch. Figure on one side, hero prop on the other, joined by the action (the magnifier, the roller pole); the prop may overlap the figure's reach but not the face.
• Feet share one implicit baseline; no line is drawn.
• Group structure the examples use: <g id="xx-card"><g id="xx-card-decor">…</g><g id="xx-card-scene" transform="translate(TX TY) scale(0.84)">…</g></g> (compose()).