Hyperframes Creative

<!-- Public portability adaptation, 2026-09-26. -->

Install this skill with its sibling skills. See runtime setup and capability boundaries before executing commands. User instructions and the requested production stage take precedence over workflow defaults.

HyperFrames Creative

Brand, pacing, style, narration, and composition direction. Use after the technical contract from hyperframes-core is in place.

For motion patterns, scene blueprints, transitions, and CSS marker effects, use hyperframes-animation — this skill is intentionally non-animation.

Read these two FIRST for any non-trivial composition — they override web instincts:

• references/house-style.md — "interpret the prompt, generate real content," the lazy-default list, and the background/foreground layer recipe. This is what turns a literal restyle into a concept.
• references/video-composition.md — video-medium scale, a designed density curve, one active focal point, and produced detail only when it earns a slot.

Skipping these is the single biggest cause of generic, web-page-looking output. They are not optional rows in the routing table below — for anything beyond a one-line edit, open both before you choose colors or write HTML.

Then, for any anchor / hero / awe-inspiring piece — read the direction layer:

• references/cinematic-direction.md — the directorial doctrine: the six-regularity Spine, the Effort Protocol (the forcing function against the lazy competent default), the Awe Test, the substrate / externalization / receiver-runway doctrines, the Canvas · Artifact · Cinema ownership lanes, the visual vocabulary, and the scene-review diagnostics. This is the difference between a composition that is correct and one a viewer screen-records. It also spells out The HyperFrames Unlock: advanced runtimes are available, while authored subject/world quality and good judgment remain the real cost.
• references/cinema-layer.md — the Cinema-Layer vocabularies (charged transitions, atmosphere, 3D moves, lens personality, hand-drawn, diegetic UI, recursive shots, video-arc drift, post-fx cookbook) with HyperFrames HTML/CSS/SVG/GSAP/Three.js implementation hints.

Read video-composition.md + house-style.md for the floor (don't ship web-page output). Read these two for the ceiling (ship something overwhelmingly good). Cold opens, thesis reveals, hero product beats, act opens/closes, closing images — open cinematic-direction.md before you shotlist.

When a piece feels like "elegant slides" — competent, well-rendered, inert — read references/visual-storytelling.md, the film-craft companion lens (Block / Murch / Williams-Disney / McCloud / Mamet / Katz / Mascelli / McKee). It supplies the concrete levers the doctrine lacks: the visual-intensity curve, the Rule of Six + flinch test for cuts, timing-vs-spacing for alive motion, the six panel-to-panel transitions, shape-to-emotion grammar, and the value-turn audit (if a scene doesn't turn a value, it's a non-event — cut it). The "elegant PPT" feeling is almost always a deficit in the temporal/relational layers, not the surface.

Workflow

1. If a project has a design spec, read it first and treat its current frontmatter tokens as brand truth (colors, fonts, spacing, tone, constraints). Which file to read (precedence frame.md → design.md → DESIGN.md) and how to parse it (frontmatter = normative, prose = context) are defined once in references/design-spec.md. Resolve later user instructions and revision-specific approvals before inheriting an old spec. For reference-led or iterative work, read references/reference-led-direction.md: establish the active direction, protect approved intervals, and prove representative animation before multiplying a treatment across a film.
2. If no design spec exists and the user asks for visual direction, choose a route:
   • Ready-made frame-preset (optional) → frame-presets/ (adopt a FRAME.md as frame.md; see references/design-spec.md)
   • Named style or mood → references/visual-styles.md
   • Fast defaults → references/house-style.md
   • Interactive selection → references/design-picker.md
3. For multi-scene work, record a reasoned Spatial Canvas PASS/USE before locking the scene map. Persistent relationships, revisitation, and consequential returns → references/spatial-canvas.md + project SPATIAL_CANVAS.json; otherwise use independent beats via references/beat-direction.md. Separately record fast-passage PASS/USE: bounded momentum, temporal compression, overwhelm, or panic → references/fast-paced-editing.md + project FAST_PASSAGES.json before transition mechanics. These are independent admissions, not format quotas.
4. For any anchor / hero / awe-inspiring shot (cold open, thesis reveal, hero product beat, act open/close, closing image), read references/cinematic-direction.md and run its Effort Protocol before shotlisting — declare AWE vs EASY per shot, use Gaze → Dream → Create to diverge. For a cold open, map only the first three seconds of narration cue-by-cue before dreaming; for true 3D, pass hyperframes-animation/adapters/three.md's admission gate. Pick the Cinema-Layer treatment from references/cinema-layer.md.
5. For any static asset the composition needs (illustrations, dossier cards, plates, cutout subjects, substrate/depth layers), read references/asset-generation.md before generating — use the selected provider or available host image tool, inspect true alpha for cutouts, and save every prompt and provenance. For generated footage or exact UI over a material/character plate, read references/generated-media-composition.md before generation: assign material/code roles, source clocks, camera ownership and registration. For an approved B-paper / editorial paper storyboard, first read references/paper-theatre.md for its material, shot and layer workflow.
6. For motion-heavy work, read references/motion-principles.md (high-level guardrails), then go to hyperframes-animation for atomic rules.
7. If a built piece feels like "elegant slides" (inert despite good assets), read references/visual-storytelling.md and run its per-scene checklist — value-turn audit, intensity curve, cut-on-the-idea, timing-vs-spacing, transition variety.
8. Before full assembly and again on the encoded master, run references/design-adherence.md's rendered-trajectory gate: establish / midpoint / resolve for every semantic scene, every admitted Spatial visit/return, every fast passage through release, plus cue-boundary samples inside the first three seconds.