Agent skill

Mc Vocal Direction

by jtydhr88 in jtydhr88/music-composition-skills

Vocal direction and harmony design (演唱指导与和声设计) - specifying how a vocal should be delivered, not just what notes it sings.

MITAuto-check passed

Install Mc Vocal Direction

skills CLI
$ npx skills add jtydhr88/music-composition-skills --skill mc-vocal-direction -a claude-code

Project install by default; add -g for ~/.claude/skills/.

GitHub CLI
$ gh skill install jtydhr88/music-composition-skills mc-vocal-direction --agent claude-code

Project scope by default; add --scope user for a personal install. Needs GitHub CLI 2.90.0 or later (public preview).

Manual copy
$ git clone --depth 1 https://github.com/jtydhr88/music-composition-skills.git skills-src && mkdir -p .claude/skills && cp -r skills-src/plugins/music-composition/skills/mc-vocal-direction .claude/skills/mc-vocal-direction && rm -rf skills-src

Use ~/.claude/skills/ instead of .claude/skills for a personal install. The folder must contain SKILL.md.

Claude Code skills documentation · loads skills from .claude/skills/

Facts

Skill name
mc-vocal-direction
GitHub stars
154
Token cost
~1.9k tokens
SKILL.md length
531 words
Files
2
Skills in repo
29
Repo updated
First seen
Licence
MIT

At a glance

Vocal direction and harmony design (演唱指导与和声设计) - specifying how a vocal should be delivered, not just what notes it sings.

  • Works in 9 steps: 动笔前必填 → 演唱指导的语汇 → 制作链条的类比 → …
  • A vocal sounds flat
  • SKILL.md covers 按任务读哪几节, 边界:什么不归这个 skill 管, 1. 动笔前必填 and 2. 演唱指导的语汇, plus 8 more sections
  • Instructions only: no scripts, shell commands, URLs or credentials in SKILL.md

What it does

Mc Vocal Direction is an agent skill from jtydhr88/music-composition-skills. Vocal direction and harmony design (演唱指导与和声设计) - specifying how a vocal should be delivered, not just what notes it sings. The two musical criteria, the vocabulary that actually changes a performance (brighter rather than louder, harder consonants rather than louder), consonant/vowel separation and why the beat lives in the vowel, the anti-perfection pitch philosophy that keeps a vocal from sounding machine-made, the four harmony types with their purpose and delivery, double and triple panning, and how all of…

Its SKILL.md is about 1.9k tokens, which your agent loads only when the skill is triggered. The skill folder holds 1 other file (for example `reference.md`).

It works with Suno and MiniMax. The repository describes itself as: Professional agent skills for composing and arranging popular music. The licence is MIT.

When your agent uses it

  • A vocal sounds flat
  • Planning harmonies
  • Writing the vocal block of an ARR-SPEC
  • A generated vocal is too perfectly in tune

Example prompts

  • “/mc-vocal-direction”

Workflow steps

9 steps, taken from the step headings in SKILL.md.

  1. 动笔前必填
  2. 演唱指导的语汇
  3. 制作链条的类比
  4. ★ 音准哲学:本 skill 最反直觉的一节
  5. 和声四型
  6. Double 与声像
  7. 映射到各后端
  8. 与 ARR-SPEC 的字段对应
  9. 写完后必过

What it can do on your machine

Read from SKILL.md and the folder at commit 7adca0c. It shows what the files ask for, not the result of running them.

  • Tool permissions

    Pre-approves nothing: there is no allowed-tools line, so your agent's usual permission prompts apply.

    From allowed-tools in the SKILL.md frontmatter.

  • Runs code

    No scripts in the folder and no shell commands in SKILL.md.

    From the folder's file list and the shell code blocks in SKILL.md.

  • Network

    No URLs in SKILL.md.

    From URLs in SKILL.md, links to its own repository left out.

  • Credentials

    Names no API keys, tokens, secrets or passwords.

    From names ending in _API_KEY, _TOKEN, _SECRET, _KEY or _PASSWORD in SKILL.md.

Context cost

Mc Vocal Direction loads about 1.9k tokens when it runs. Until then it costs about 200 tokens; SKILL.md has 531 words of instructions outside code blocks.

Always · name and description, kept in context so the agent knows when to use it
~200
When it runs · the whole SKILL.md, loaded when a task matches
~1.9k

Estimates: characters ÷ 4, the usual rule of thumb; real counts depend on the model's tokenizer. Scripts and assets cost tokens only if the agent reads them.

Safety

Auto-check passed

The automated check found no risky patterns in SKILL.md.

Automated static check — not a guarantee. Review scripts before installing. It scans the text of SKILL.md for risky patterns (piping downloads into a shell, reading credential files, hidden Unicode, destructive commands); files beside SKILL.md are not scanned.

SKILL.md

The full file from jtydhr88/music-composition-skills at commit 7adca0c, republished under its MIT licence (© jtydhr88). 531 words, ~1,947 tokens.

Download SKILL.mdSave it as .claude/skills/mc-vocal-direction/SKILL.md (or your agent's skills folder). This skill also uses 1 other file; get the full folder from GitHub.
name
mc-vocal-direction
description
Vocal direction and harmony design (演唱指导与和声设计) - specifying how a vocal should be delivered, not just what notes it sings. The two musical criteria, the vocabulary that actually changes a performance (brighter rather than louder, harder consonants rather than louder), consonant/vowel separation and why the beat lives in the vowel, the anti-perfection pitch philosophy that keeps a vocal from sounding machine-made, the four harmony types with their purpose and delivery, double and triple panning, and how all of this maps onto text prompts for Suno / YuE2 / MiniMax. Use when a vocal sounds flat, machine-made, or buried, when planning harmonies or doubles, when writing the vocal block of an ARR-SPEC, or when a generated vocal is too perfectly in tune. 演唱、人声、和声、咬字、音准、双轨、AI 味。

演唱指导与和声设计(Vocal Direction)

这个 skill 管的是:人声该怎么唱**,不只是唱什么音。**

对本库尤其重要,因为——

AI 人声最稳定的破绽是"完美":音准全中、力度平直、每遍副歌唱得一模一样。 真人做不到这些,也不想做到。

所以本 skill 有一半内容是在教怎么要求"不完美",以及怎么把这种要求写成后端能吃的话。

按任务读哪几节

症状/任务读
人声听着平、没表情§2 演唱指导的语汇
想让人声更有冲击力§2.3 辅音
人声"太准了"、像机器§4 音准哲学
人声推不出来、埋在伴奏里§4.1(多半不是音量问题)
要加和声,不知道加哪种§5 四型
和声盖过主唱 / 太抢§5 对应型号的 delivery + EQ 思路
要不要做 double§6
写 Suno/YuE2 的人声提示词§7
填 ARR-SPEC 的 vocal 块§8 + §9

边界:什么不归这个 skill 管

不归这里归哪
词怎么写、押韵、倒字/协音作词库(lyric-writing,LYR-SPEC)
旋律的音高走向、音域设计mc-melody(L1)
字怎么安到音上(符割り/字余り)作词库——它是词曲接口,归词库
人声 EQ 的具体频点、压缩参数mc-mix-intent(意图)/出库混音库(实操)
人声和哪件乐器抢频段mc-texture-layering
合成人声音源(Vocaloid、Synthesizer V 的引擎参数)不做。本库只写演唱意图(§7 映射到各后端),不写引擎参数

1. 动笔前必填

必填问法
① 这是谁在唱声音人设:性别、音区、质感、年代感。不是"女声"这种程度
② 每段的 delivery至少分主歌/副歌/桥。用 §2 的语汇写,不是"有感情"
③ 力度起伏逐段的相对强弱——lint #15 查这个,全曲一个力度直接判不合格
④ 副歌逐遍差异第二遍、第三遍分别改了什么(lint #16)
⑤ 和声方案用哪型(§5)、在哪几段、上还是下

2. 演唱指导的语汇

2.1 只有两条音乐上的判据
  1. 是否适合这首歌
  2. 是否适合这个歌手(似合っているか)

就这两条。技术好不好不是判据——技术是手段。 用在本库上,第 2 条变成"是否适合这个声音人设"。

2.2 ★ 不要说"大声点"

这是整节最实用的一条:

宏大的编曲配上含混的人声时,不要说"唱大声点"——音量推子能解决音量。 你真正想要的多半是"更亮的声音",所以说"请唱得亮一点"更有效。

形象化指令同样有效:

  • "带着笑唱"
  • "嘴角上扬"
  • "往很远的地方唱"

为什么这条对本库特别重要:这些正好是文本后端能吃的词。 sing brighter / smiling delivery / sung toward a far distance 是有效提示词, 而 louder 在生成模型那里几乎没有意义——它不控制音量。

2.3 ★ 辅音与元音分开想

这是演唱指导和后期编辑共同的基础知识:

  • 一个音节 = 辅音 + 元音(「か」= K + A,写成罗马字最清楚)
  • 要冲击力时,说"辅音用力"比说"大声"有效
  • 编辑时要分清:这是辅音的时机问题还是元音的长度问题
  • 混音里光是控制辅音的电平就能改变人声的表情
2.4 "S" 这个魔法辅音

S ≈ 用嗓子发出的白噪声——它本质上就是噪声。

推论(都很实用):

  • 可以在 S 的中间剪接,听不出接缝
  • 它的长度可以自由伸缩而不违和
  • 从别的 take 移植一个 S 过来基本上无缝

★ 拍点活在元音上,不在辅音上。 「さ」(= S + A) 唱在第 2 拍时,S 实际发生在第 1 拍的尾巴上—— 和拍子对齐的是元音 A。

这条有两个用处:

  1. 编辑 AI 生成的人声时,"这里有个 S"= "这里是好剪接点"
  2. 判断人声"抢拍/拖拍"时,要看元音的位置,不是音节的起点—— 否则你会把所有以 S、SH、TS 开头的字都误判成抢拍

3. 制作链条的类比

一个有用的对照(电影 → 流行音乐):

电影音乐
剧本词曲
布景与服装编曲
演员歌手
发型化妆现场演唱指导
摄影录音
剪辑treatment(人声修整)
MA混音

"现场指导 + 录音 + treatment"三者合起来才是广义的 vocal direction。

对本库的意义:用生成模型时,"录音"这一环消失了, 但**"发型化妆"(指导)和"剪辑"(修整)两环都还在,而且更重要**—— 因为你唯一能控制模型的地方就是指导,唯一能补救的地方就是修整。


4. ★ 音准哲学:本 skill 最反直觉的一节

4.1 两条实测经验
  • 唱低(flat)的人声,推子推到天上也"出不来"
  • 稍微偏高(sharp)的人声"抜け"(穿透力)更好——好歌手会无意识地唱得略高

第一条解释了一个常见误判:人声埋在伴奏里,先查音准,再查音量。

4.2 不要全修

"音准对了所以唱得好"是不完整的;反过来说才对:唱得好的人大体上是准的。

所以:

  • 伴奏稀疏的地方,偏低或偏高的瞬间本身就是"韵味"
  • 想强调的地方偏高是可以的——不是事后拉上去,而是刻意保留 那些歌手"在情绪里忍不住唱高了"的地方
  • 不是全部对齐,而是刻意留下一部分不动——那才是自然的修音。

这条是本库对抗 AI 味的核心人声规则。 生成模型输出的人声天然全准,你要做的不是"修得更准",而是指定哪里允许不准。

写法:在 ARR-SPEC 的 vocal.pitch_policy 里写"哪些位置保留偏移", 而不是写"修准"。

失效条件:编曲极密、和声堆叠很厚的段落,音准偏差会变成浑浊而不是韵味—— 那些地方该修。判据是伴奏密度,不是段落名称。

4.3 treatment 的三步顺序
  1. 清理多个 take 之间的接点
  2. 对齐节奏
  3. 修音准

为什么是这个顺序:先动节奏(挪时间)再接的话,接点得重做一遍。


5. 和声四型

每一型都由三件事定义:目的 / delivery / 怎么让它不抢主唱。 注意 delivery 是本 skill 的部分,EQ 是 mc-mix-intent 的部分——这里只给思路。

型 1:歌い上げ上ハモ(全声上方和声,通常三度)
  • 目的:保持主旋律不变,让整体更亮、更辉煌
  • 内在矛盾:它比主唱高,天然突出,却不能压过主唱
  • ★ 解法:不要靠"唱轻一点"解决——唱轻就失去辉煌感。 保持全声的唱法,用 EQ 解决(思路:让和声从主唱的频段里"逃开"—— 大幅削低频,并挖掉中频的"芯",必要时反而强调高频)
型 2:贴着主唱的上方和声
  • 目的:不是辉煌,而是制造空气感、把和弦感演出来
  • ★ 关键在改变唱法:不是张开的声音,而是轻的、带气声的干净唱法
  • 注意:音量会下降,但不要靠靠近话筒来补(近讲效应会抬低频),用增益控制
型 3:内敛的平行下方和声
  • 形象:"主唱投下的影子"。原书配的插画就是歌手和自己的影子:唱法、咬字都尽量贴合主唱,影子本身没有独立的表情 (p0186)
  • 降低存在感:削低频。原书给的参考 EQ(6 段均衡):低切约 110 Hz,再叠加 123 Hz 削 −10 dB、247 Hz 削 −4.9 dB、621 Hz 削 −4.2 dB,是低频到中低频的整体削减,不是单点陷波 (p0186)
型 4:合いの手(句间的应答短句,2–3 声齐唱)
  • 定位:和主唱是**"不同的物件"**
  • 做法:先伸手去拿 EQ 来改变质感(收音机音色也行,光削低频就能换气氛)
  • 提高多声部的统一度:推子+压缩对齐电平 → 给这一组挂同一个空间效果 → 甚至整组共用一个调制效果(链:EQ → 压缩 → 合唱 → 延迟)
Show full SKILL.md (217 more words)Show less
混响也是型号的一部分
  • 型 1、型 2 可以用高频成分丰富的混响/延迟来补辉煌感或空气感,这是把"逃开主唱频段"的思路从 EQ 延伸到空间效果 (p0186)
  • 型 3 减少直达声、增加混响成分可以降低存在感,干湿比往湿走,"这个人真的在这里唱"的实体感会跟着变淡 (p0186)
  • 型 4 的空间处理目标是齐整度:给整组配同一个空间效果统一质感,见本节型 4。混响的声像怎么和主唱声像一起摆,见 §6.2

6. Double 与声像

6.1 Double 主唱:一个明确的权衡
  • 给咬字极好的主唱做 double 会稀释字的感觉
  • 但 double 特有的立体声扎实感带来机器复制做不出的温暖与厚度

★ 注意"机器复制做不出"这句——它同时说明了为什么 生成模型直接输出的"双轨"听起来是假的:那是复制,不是第二次演唱。 要真 double 就得让后端二次生成,而不是复制一轨再微调。

操作要点:

  • 主唱 take 必须先选定,double 是听着主唱贴着唱的
  • 但选得慢会让歌手干等——趁歌手还记得咬字立刻录 double 更好(时间 vs 质量的权衡)
  • 咬字复杂的歌:几句几句分段认真录
  • 检查手法:把两轨硬左右,或把主唱静音,严格检查 double 有没有贴住
  • 指导原则:别让主唱的咬字被抹掉——让歌手用强调咬字的唱法录 double,正好
6.2 声像策略
形态做法
Single没有特别理由就放正中;用音量、混响、延迟制造与主唱的距离和纵深;极高/极低音区的和声考虑换一支和主唱不同的话筒
Double可左右分开;甩得越极端越突出,小音量下也被强调——想强调的甩远。上下和声都有 double 时,只甩其中一对,两对都甩元素太多。若编曲里只有和声是宽的会显怪(故意利用可以),混响的声像要一起考虑
Triple理解成"single + double":single 负责纵深,double 负责宽度;把 single 的音量拉下来更干净
6.3 和声录音的指导

主唱唱主旋律很好、唱和声却意外地难——因为和声和主旋律微妙地相似,很难记住。

导唱轨(ガイド)是最常用的解法:

  • 新建一轨,用起音弱的柔和音色弹出和声线
  • 技巧:故意高八度弹更好听清;1 小节的线做成 2 小节的循环;可以只甩到耳机一侧
  • 歌手熟了之后逐渐降低导唱音量,再录正式的
  • 最有效的其实是唱给他听——乐器音色和人声是完全不同的东西, 要一个不弹乐器的主唱"在脑子里把乐器音换成人声"极其困难, 尤其在歌词音节安排复杂的时候

对本库的映射:用生成后端时,"导唱轨"对应的是给模型一条参考旋律或参考音频。 同一个道理:给模型听人声比给它看乐器 MIDI 更有效。


7. 映射到各后端

后端能吃什么写法
Suno / MiniMax自然语言的 delivery 描述用 §2.2 的词汇:brighter、breathy、harder consonants、smiling。不要写 louder
YuE2同上,且可逐段不同逐段写 delivery,正好对上 §1 的必填②
MIDI / DAW(真人录)完整的 §2–§6直接当 direction sheet 用

所有后端共通的两条:

  1. 力度必须逐段不同(lint #15)
  2. 副歌每一遍必须有变化(lint #16)——加和声、改 delivery、加 double,三选一以上

后端能力差异的处理:若某后端根本不接受 delivery 描述(honors: none), 算照做率时应排除这些项,而不是给 0 分——详见 L4 的 backend profile 规则。


8. 与 ARR-SPEC 的字段对应

字段本 skill 的哪一节
vocal.persona§1①
vocal.delivery(可逐段)§2
vocal.dynamics_by_section§1③,lint #15
vocal.chorus_variation§1④,lint #16
vocal.pitch_policy§4.2(写哪里保留偏移,不是"修准")
vocal.stacking§5 四型 + §6 double(含 type / 段落 / delivery / 声像)

9. 写完后必过

  • 声音人设具体到能想象出是谁,不是"女声"
  • 每段有自己的 delivery,用的是"亮/气声/辅音用力"这类可执行的词
  • 没有写"大声点"
  • 力度逐段不同(lint #15)
  • 副歌每一遍都改了东西,且说得出改的是什么(lint #16)
  • pitch_policy 写的是哪里允许不准,不是"修准"
  • 和声选了型号,且该型号的 delivery 和"怎么不抢主唱"都写了
  • 型 1 的和声没有靠"唱轻"来避让
  • 做 double 的话,要求的是二次演唱,不是复制一轨
  • 上下和声都有 double 时,只甩了一对到极端声像
  • 判断人声抢拍/拖拍时,看的是元音的位置

附:来源

  • 日式包 jp-vocal-lyrics-production——§2、§4、§5、§6 全部主干。 原书为日本流行音乐制作实务系列。
  • §5 型 3 的 EQ 参考例、"混响也是型号的一部分"三条,出自《プロの曲作りが分かる本》(p0186)。
  • 词曲对齐部分(符割り/字余り/イントネーション)不在本 skill, 归作词库 lyric-writing,因为它是词的工序。
  • 人声混音链的具体参数(压缩比、EQ 频点、pop noise 消除的 309.6 Hz 实例等) 整理在 reference.md,实操出库到混音库。
  • 自查 #15/#16 的判法见 mc-workflow §3.0。

© jtydhr88, MIT. Rendered from Markdown: HTML in the file is shown as text, images as links, and headings moved down two levels. Raw file

Files

SKILL.md and 1 other file in plugins/music-composition/skills/mc-vocal-direction of jtydhr88/music-composition-skills.

  • SKILL.md
  • reference.md

Open the folder on GitHubat commit 7adca0c

Compare with similar skills

Mc Vocal Direction next to the 5 skills that share the most tags, products or categories with it. Stars are the repository's; “used in” counts other GitHub owners with a copy.

Mc Vocal Direction compared with similar skills
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Minimax XLSXpoco-ai/poco-claw1.4k6 repos~2.1kAutomated safety check: PassMIT
Minimax PDFpoco-ai/poco-claw1.4k6 repos~2.1kAutomated safety check: PassMIT

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Works with

Questions about Mc Vocal Direction

What does Mc Vocal Direction do?

Vocal direction and harmony design (演唱指导与和声设计) - specifying how a vocal should be delivered, not just what notes it sings. Mc Vocal Direction is an agent skill from jtydhr88/music-composition-skills. Vocal direction and harmony design (演唱指导与和声设计) - specifying how a vocal should be delivered, not just what notes it sings.

When should I use Mc Vocal Direction?

Mc Vocal Direction fits situations like: A vocal sounds flat; planning harmonies; writing the vocal block of an ARR-SPEC; A generated vocal is too perfectly in tune.

How do I install Mc Vocal Direction in Claude Code?

Run `npx skills add jtydhr88/music-composition-skills --skill mc-vocal-direction -a claude-code`. Or copy the skill folder (plugins/music-composition/skills/mc-vocal-direction in jtydhr88/music-composition-skills) into .claude/skills/mc-vocal-direction in your project. Claude Code loads it when a task matches its description.

How do I install Mc Vocal Direction in Codex?

Run `npx skills add jtydhr88/music-composition-skills --skill mc-vocal-direction -a codex`. Or copy the skill folder (plugins/music-composition/skills/mc-vocal-direction in jtydhr88/music-composition-skills) into .agents/skills/mc-vocal-direction in your project. Codex loads it when a task matches its description.

Can I use Mc Vocal Direction in Cursor, Gemini CLI or GitHub Copilot?

Cursor, Gemini CLI, GitHub Copilot and OpenCode also load SKILL.md folders. With the skills CLI, run `npx skills add jtydhr88/music-composition-skills --skill mc-vocal-direction -a cursor` (or -a gemini-cli, github-copilot or opencode for the others). To copy it by hand, put the folder in .cursor/skills/mc-vocal-direction, .gemini/skills/mc-vocal-direction, .github/skills/mc-vocal-direction and .opencode/skills/mc-vocal-direction in your project.

What does Mc Vocal Direction need to run?

SKILL.md names no scripts, command-line tools or credentials: Mc Vocal Direction is instructions for the agent only.

Does Mc Vocal Direction access the network?

SKILL.md contains no URLs. Any network use would come from the scripts or tools the agent runs. This is read from the text; nothing was executed.

Is Mc Vocal Direction safe to install?

Our automated static check of SKILL.md found no risky patterns, such as piping downloads into a shell, reading credential files or hidden Unicode. It is not a guarantee. Review the folder before installing.

What licence does Mc Vocal Direction use?

Mc Vocal Direction is published under the MIT licence (the repository's licence). It allows redistribution, so the full SKILL.md is shown on this page.

How many tokens does Mc Vocal Direction use?

About 1.9k tokens (SKILL.md is roughly 7.8k characters). Agents keep only the skill's name and description in context until a task matches; then they load SKILL.md in full.

What are the alternatives to Mc Vocal Direction?

Skills that share tags, products or a category with Mc Vocal Direction: Audio Jingle (sanqiufong/slides-from-anything, 132 stars), Minimax DOCX (poco-ai/poco-claw, 1.4k stars), AI Image Generation and Editing (zhayujie/CowAgent, 47k stars) and Minimax XLSX (poco-ai/poco-claw, 1.4k stars). The comparison table on this page puts their stars, adoption, token cost, safety result and licence side by side.

Who maintains Mc Vocal Direction?

jtydhr88 (a GitHub user) maintains it in jtydhr88/music-composition-skills, which has 154 GitHub stars. The repository holds 29 skills in this directory. The repository was last updated on September 22, 2026.

Source: jtydhr88/music-composition-skills on GitHub. Facts on this page come from the repository at the commit we read; the author's words are quoted as theirs.