Premise Workshop

Premise Workshop

Overview

Turn a spark into a premise that can carry a book, before story init builds the project. The workshop generates what-ifs from the spark, tests them as loglines, drafts the controlling idea and its counter-argument (premise and counter-premise in story.md), names the stakes, chooses a form (the form field), brainstorms titles, sanity-checks the idea against comparable books, and hands a filled-in brief to the story-init skill. The author owns the idea: offer options and tests, never decide for them.

Prerequisites

None. The workshop usually runs before a project exists. If the user wants the work saved before story init, keep it in one premise-notes.md file in the current directory (outside the future project folder) and move the kept material into story.md after init.

When to Use

• The user has a spark but no premise, or several ideas and cannot choose
• The user has a premise and wants to know whether it holds up
• Choosing between short story, novella, novel, serial, or a children's form
• Brainstorming a title, or checking a working title against the cast
• NOT for creating the project folder (use story-init; this skill hands off to it)
• NOT for refining the controlling idea of a drafted book, arc types, or the lie/truth machinery (use theme-craft)
• NOT for outlining once the premise is settled (use plot-structure, or discovery-drafting for pantsers)
• NOT for comp titles, pitch, or blurb for submission (use submission)

Workflow

1. Capture the spark

Ask what the user has, in their words, and do not improve it yet. Ask which language the book will be written in if it is not clear, and workshop in that language: what-ifs, loglines, and titles are drafted in it, and comps come from the market that reads it. Sort it: an image (a drowned bell tower), a what-if (what if grief could be sold), a character (a lighthouse keeper who has never left the rock), a setting (a city that moves every winter), or a feeling they want a reader to have. Ask what drew them to it. The answer is often the book's real subject and should survive every later change.

2. Generate what-ifs

Following references/what-if-generation.md, produce 8-12 short what-ifs from the spark across different angles (invert it, raise the cost, move it in time or place, give it to the wrong person). Present them as a numbered list and ask the user to pick one to three, or to combine. Do not rank them for the user unless asked; do say which ones already imply conflict.

3. Workshop the logline

For each chosen what-if, draft a logline with the recipe in ../story-init/references/title-logline.md (protagonist + want + obstacle

• stakes). Then run every logline stress test in references/premise-tests.md. Report each test as pass, weak, or fail with one sentence of why, and offer one revision per weak or failed test.

4. Draft premise and counter-premise

story.md's premise field is the controlling idea (value + cause), not the logline. Draft it and the counter-premise as working hypotheses using ../theme-craft/references/controlling-idea.md. If the user wants to discover theme in the draft, record premise: tbd-discovery and move on. Keep the logline for the Synopsis section.

5. Name the stakes

Write the stakes on three levels (see references/premise-tests.md): external (what is lost in the world), relational (who is lost or betrayed), and internal (what the protagonist becomes if they fail). At least two levels must be concrete and personal.

6. Choose the form

Use references/form-choice.md to match the idea's scope to a form: novel, novella, novelette, short-story, flash, serial, picture-book, or chapter-book. Count the idea's moving parts (POV characters, threads, locations, time span) and recommend the form they fit, with the trade-offs. The user decides.

7. Brainstorm titles

Follow references/title-and-comps.md: generate titles across the families listed there, cut to a shortlist of five, and test each against the logline and the genre shelf. The title craft principles live in ../story-init/references/title-logline.md; do not repeat them to the user, apply them.

Once a project exists, check title words and new names against the story's entities before adopting them:

story names 'Bell Tower' Bell 'Maren' --path .

An exact clash exits 1 and must be resolved; look-alike warnings and a shared initial with a major character are the user's call. Multi-word names are only checked for exact clashes, so pass a multi-word title's distinctive word separately, as Bell is above. The "Check names against the project" section of references/title-and-comps.md says what each finding means and how to resolve a clash.

8. Sanity-check against comparable books

Ask the user for two or three recent books the idea sits beside. Use references/title-and-comps.md to check whether the premise is distinct from them and whether it fits the shelf they imply. Never invent titles, authors, or sales claims; if web search is available, verify that each named book exists and note what you checked. If not, mark the list unverified.

9. Hand off to story-init

Present a one-screen brief: working title, logline, premise, counter-premise, stakes, form, genre and sub-genre, POV and tense if known, themes, the comps, and the book's language as a BCP 47 tag (en, fr, es-MX, ja). On approval, follow the story-init skill with the brief:

story init 'The Keeper of Skerry Light' --form novella --genre fantasy --sub-genre coastal --synopsis 'A lighthouse keeper who has never left the rock must choose between the light and her drowned brother.' --theme isolation

Workshop text is the user's own words, so wrap every value in single quotes before running the command. Never paste a value into double quotes, where $(...), backticks, and " still take effect. A single quote inside a value depends on the shell: write it as '\'' in a POSIX shell (bash, zsh, sh, Git Bash) and as '' in PowerShell. Never run the command in cmd.exe, which has no single quotes and runs & inside a value; use PowerShell or a POSIX shell.

--form sets form in story.md and a default target-words for the form when none is given (serial sets none; set per-episode chapter target-words instead). The form defaults and references/form-choice.md lengths are English word counts; for a book in another language, discuss the target with the user. A Chinese (zh) or Japanese (ja) book is counted in characters: talk about length in characters (10万字, or sheets of 400字 for Japanese), and once language is in story.md, replace target-words with target-characters (the story-init skill lists the per-form defaults). Then hand-edit premise, counter-premise, and language (the tag from the brief) into story.md, and move the stakes, rejected what-ifs worth keeping, title shortlist, and comps into its ## Notes section. Keep premise-notes.md if one was made: offer to move it into the new project as notes/premise-notes.md, and delete it only when the user asks after seeing what was carried over.