Diagram Design

Diagram Design

Create visual diagrams as self-contained HTML files with inline SVG and CSS, following an opinionated editorial design system.

Fourteen diagram types. One shared design system, complexity budget, and taste gate. Type-specific conventions live in references/ and are loaded only when you pick a type.

0. First-time setup — style guide gate

Before generating your first diagram in a new project, verify the style guide has been customized.

Open references/style-guide.md and check the default tokens. If they're still the shipped defaults (paper #faf7f2, ink #1c1917, accent #b5523a rust), pause and ask the user:

"This is your first Schematic in this project. The style guide is still at the default (neutral stone + rust). Do you want to customize it to match your brand first? Options: (a) run onboarding — I'll pull colors and fonts from your website, (b) paste your tokens manually, (c) proceed with the default for now."

Then branch:

• (a) → follow references/onboarding.md to fetch the site, extract palette + fonts, propose a diff, and write style-guide.md.
• (b) → accept the user's tokens and write them into style-guide.md under a new "Custom tokens" section.
• (c) → proceed; optionally remind the user they can run onboarding later.

Once the style guide has been customized (or the user explicitly opted for default), skip this gate on subsequent runs. A simple way to detect customization: if the accent value in style-guide.md differs from #b5523a, assume custom.

Don't silently ship default-skinned diagrams into a branded project — that's the failure mode this gate exists to prevent.

1. Philosophy

The highest-quality move is usually deletion.

From .impeccable.md: "Confident restraint. Earn every element. One color accent, two families, a small spacing vocabulary. If removing it wouldn't hurt the page, remove it."

Applied to schematics:

• Every node represents a distinct idea. Two nodes that always travel together are one node.
• Every connection carries information. If the relationship is obvious from layout, remove the line.
• Coral is editorial, not a flag. 1–2 focal nodes per diagram. Using it on 5 nodes erases the signal.
• The schematic isn't done when everything is added. It's done when nothing can be removed.

Target density: 4/10. Enough to be technically complete. Not so dense it needs a guide. Above 9 nodes, it's probably two diagrams.

2. When to Use

Use for any of the 14 diagram types (§3) when a reader will learn more from a visual than from prose, a table, or a bulleted list.

Don't use for:

• Quick unicode diagrams → use wiretext.
• Lists of things → table or bullets.
• Simple before/after → table.
• One-shape "diagrams" → just write the sentence.

Before drawing, ask: Would the reader learn more from this than from a well-written paragraph? If no, don't draw.

3. Diagram Types

Selection guide

Rules of thumb:

• If a 3-column table communicates the same thing, pick the table.
• If you're combining two types, pick the dominant axis — don't hybridize grammars.
• If you're past the complexity budget (§7), split into an overview + detail.

Always load the relevant references/type-*.md before drawing — it contains layout conventions, anti-patterns, and example files for that type.

4. Universal Anti-patterns

These mark "AI slop" schematics of any type:

Type-specific anti-patterns live in each references/type-*.md.

5. Design System

The design system is skinnable. All colors, typography, and tokens live in a single source of truth — references/style-guide.md. This file describes semantic roles (paper, ink, muted, accent, link, …). The default skin is a cool editorial palette (white-smoke paper, jet-black ink, atomic-tangerine accent, blue-slate muted, silver hairlines); to apply your own brand, either edit style-guide.md directly or run the URL-based flow described in references/onboarding.md.

When specs below or in type references mention "ink", "accent", "muted", etc., look up the current hex value in style-guide.md.

Semantic roles (at a glance)

Focal rule: accent goes on 1–2 elements max. Everything else is ink / muted / soft. If you're tempted to accent 4 things, you haven't decided what's focal yet.

Node type → treatment

Typography (summary — full spec in style-guide.md)

• Title — Instrument Serif, 1.75rem, 400 — H1 only
• Node name — Geist (sans), 12px, 600 — human-readable labels
• Sublabel — Geist Mono, 9px — ports, URLs, field types
• Eyebrow / tag — Geist Mono, 7–8px, uppercase, tracked — type tags, axis labels
• Arrow label — Geist Mono, 8px — annotation on arrows
• Editorial aside — Instrument Serif italic, 14px — callouts only

Mono is for technical content. Names are Geist sans. Page title is Instrument Serif. Italic Instrument Serif is reserved for annotation callouts. Never JetBrains Mono as a blanket "dev" font.

<link href="https://fonts.googleapis.com/css2?family=Instrument+Serif:ital@0;1&family=Geist:wght@400;500;600&family=Geist+Mono:wght@400;500;600&display=swap" rel="stylesheet">

6. Core SVG Primitives

Universal building blocks. Type-specialized primitives (lifeline, activation bar, region) live in the relevant references/type-*.md. Optional primitives:

• Editorial callouts → primitive-annotation.md
• Hand-drawn variant → primitive-sketchy.md

Background

Default: clean paper, no dot pattern. Single <rect> filled with paper. Don't wrap the diagram in a secondary container background — the diagram sits directly on the page.

<rect width="100%" height="100%" fill="#f5f5f5"/>

Optional: dotted paper variant. When a long-form editorial diagram benefits from textured ground (essays, hero diagrams on a dedicated page), opt in by adding the dots pattern and a second rect:

<defs>
  <pattern id="dots" width="22" height="22" patternUnits="userSpaceOnUse">
    <circle cx="1" cy="1" r="0.9" fill="rgba(45,49,66,0.10)"/>
  </pattern>
</defs>
<rect width="100%" height="100%" fill="#f5f5f5"/>
<rect width="100%" height="100%" fill="url(#dots)" opacity="0.6"/>

Don't use the dot pattern when the diagram sits inside a product page, slide, or card — the texture compounds with surrounding chrome and reads as noise.