Stop Slop

Stop Slop

Eliminate predictable AI writing patterns from prose.

Core Rules

1. Cut filler phrases. Remove throat-clearing openers, emphasis crutches, and all adverbs. See Phrases to Remove below.

2. Break formulaic structures. Avoid binary contrasts, negative listings, dramatic fragmentation, rhetorical setups, false agency. See Structures to Avoid below.

3. Use active voice. Every sentence needs a human subject doing something. No passive constructions. No inanimate objects performing human actions ("the complaint becomes a fix").

4. Be specific. No vague declaratives ("The reasons are structural"). Name the specific thing. No lazy extremes ("every," "always," "never") doing vague work.

5. Put the reader in the room. No narrator-from-a-distance voice. "You" beats "People." Specifics beat abstractions.

6. Vary rhythm. Mix sentence lengths. Two items beat three. End paragraphs differently. No em dashes.

7. Trust readers. State facts directly. Skip softening, justification, hand-holding.

8. Cut quotables. If it sounds like a pull-quote, rewrite it.

Quick Checks

Before delivering prose:

• Any adverbs? Kill them.
• Any passive voice? Find the actor, make them the subject.
• Inanimate thing doing a human verb ("the decision emerges")? Name the person.
• Sentence starts with a Wh- word? Restructure it.
• Any "here's what/this/that" throat-clearing? Cut to the point.
• Any "not X, it's Y" contrasts? State Y directly.
• Three consecutive sentences match length? Break one.
• Paragraph ends with punchy one-liner? Vary it.
• Em-dash anywhere? Remove it.
• Vague declarative ("The implications are significant")? Name the specific implication.
• Narrator-from-a-distance ("Nobody designed this")? Put the reader in the scene.
• Meta-joiners ("The rest of this essay...")? Delete. Let the essay move.

Scoring

Rate 1-10 on each dimension:

Below 35/50: revise.

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Phrases to Remove

Throat-Clearing Openers

Remove these announcement phrases. State the content directly.

• "Here's the thing:"
• "Here's what [X]"
• "Here's this [X]"
• "Here's that [X]"
• "Here's why [X]"
• "The uncomfortable truth is"
• "It turns out"
• "The real [X] is"
• "Let me be clear"
• "The truth is,"
• "I'll say it again:"
• "I'm going to be honest"
• "Can we talk about"
• "Here's what I find interesting"
• "Here's the problem though"

Any "here's what/this/that" construction is throat-clearing before the point. Cut it and state the point.

Emphasis Crutches

These add no meaning. Delete them.

• "Full stop." / "Period."
• "Let that sink in."
• "This matters because"
• "Make no mistake"
• "Here's why that matters"

Business Jargon

Replace with plain language.

Adverbs

Kill all adverbs. No -ly words. No softeners, no intensifiers, no hedges.

Specific offenders:

• "really"
• "just"
• "literally"
• "genuinely"
• "honestly"
• "simply"
• "actually"
• "deeply"
• "truly"
• "fundamentally"
• "inherently"
• "inevitably"
• "interestingly"
• "importantly"
• "crucially"

Also cut these filler phrases:

• "At its core"
• "In today's [X]"
• "It's worth noting"
• "At the end of the day"
• "When it comes to"
• "In a world where"
• "The reality is"

Meta-Commentary

Remove self-referential asides. The essay should move, not announce its own structure.

• "Hint:"
• "Plot twist:" / "Spoiler:"
• "You already know this, but"
• "But that's another post"
• "X is a feature, not a bug"
• "Dressed up as"
• "The rest of this essay explains..."
• "Let me walk you through..."
• "In this section, we'll..."
• "As we'll see..."
• "I want to explore..."

Performative Emphasis

False intimacy or manufactured sincerity:

• "creeps in"
• "I promise"
• "They exist, I promise"

Telling Instead of Showing

Announcing difficulty or significance rather than demonstrating it:

• "This is genuinely hard"
• "This is what leadership actually looks like"
• "This is what X actually looks like"
• "actually matters"

Vague Declaratives

Sentences that announce importance without naming the specific thing. Kill these.

• "The reasons are structural"
• "The implications are significant"
• "This is the deepest problem"
• "The stakes are high"
• "The consequences are real"

If a sentence says something is important/deep/structural without showing the specific thing, cut it or replace it with the specific thing.

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Structures to Avoid

Binary Contrasts

These create false drama. State the point directly.

Instead: State Y directly. "The problem is Y." "Y matters here." Drop the negation entirely.

Negative Listing

Listing what something is not before revealing what it is. A rhetorical striptease.

Instead: State Z. The reader doesn't need the runway.

Dramatic Fragmentation

Sentence fragments for emphasis read as manufactured profundity.

Instead: Complete sentences. Trust content over presentation.

Rhetorical Setups

These announce insight rather than deliver it.

Instead: Make the point. Let readers draw conclusions.

Formulaic Constructions